Quartet in E-flat major, Op. 71, No. 3 HAYDN
Cello Quintet in C major, G. 324, BOCCHERINI
“La musica notturna delle strade di Madrid” (1703-1845) Quartet in A minor, Op. 41, No. 1 SCHUMANN
POST PERFORMANCE NOTES
LET'S RAISE A BOW!
Our playbill’s cover photo of the Miro Quartet was an exciting harbinger of what would come throughout their concert. Just like the photo, they ended several movements with their bows flying up in the air. The Quartet’s passion sailed throughout the audience as they not only played but they enlightened us about the works they were performing. Boccherini’s unique and picturesque La musica notturna della strade de Madrid came to life in a vivid way. Cellos turned sideways, played like guitars commanded everyone’s attention as we listened to the evening sounds in a street in Madrid. The cheerfulness of the Haydn quartet brought smiles and the passion of the Schumann quartet stirred our hearts.
And it was a night of family! Watching a quartet in action...especially when one can sit in on a quartet’s rehearsal...is a view of family/sibling interaction. The close relationship of the four musicians working together “in harmony” can be a picture of creative negotiations. The Miro “family of four” exchanged glances, communicated without a word, raised and lowered the musical dynamics, and they gestured like siblings to each other causing us to laugh. We, the audience, were happy and proud “parents” to be a part of this exciting musical gathering....and sitting in the audience were the proud parents of one of the quartet members.
Yes, as their bows flew into the air that one last time, we again flew to our feet with applause and admiration.
Emma Mills Bledsoe
Thank you Lea Gallardo, photographer, for these wonderful photo "memories" of the concert!
ABOUT THE ARTISTS
A founding member of the Miró Quartet, Daniel Ching, began his violin studies at the age of 3 under tutelage of his father. At age 5, he entered the San Francisco Conservatory Preparatory Division on a full twelve-‐year scholarship, where he studied violin with Serban Rusu and Zaven Melikian, and chamber music with Susan Bates. At the age of 10, Daniel was first introduced to string quartets.
A graduate of the Oberlin Conservatory of Music, Daniel studied violin with Kathleen Winkler, Roland and Almita Vamos, and conducting with Robert Spano and Peter Jaffe. He completed his Masters degree at the Cleveland Institute of Music, where he studied with former Cleveland Quartet violinist Donald Weilerstein. He also studied recording engineering and production with Thomas Knab of Telarc, and subsequently engineered the Miró Quartet's first promotional disc.
Daniel is on faculty at the Sarah and Ernest Butler School of Music at the University of Texas at Austin, where he teaches private violin students and coaches chamber music. He concurrently maintains an active international touring schedule as a member of the Miró Quartet.
Daniel is a discerning connoisseur of all things cinematic and electronic. Before he became a busy parent, Daniel was an avid skier and a dedicated reader of science fiction—he looks forward to returning to those passions, some day. In his free time, Daniel enjoys hosting happy hours with friends and lounging at home with his wife Sandy, their two sons, and two cats.
Winner of the Lincoln Center Martin E. Segal Award, violinist William Fedkenheuer has distinguished himself as a versatile artist with international performances as soloist, chamber, and orchestral musician. William’s touring in the United States has included performances at The Chamber Music Society of Lincoln Center, Carnegie Hall Presents, San Francisco Performances, and the National Gallery. Abroad, he has performed at the American Academy in Rome, Fountainbleu, Spoleto Festival of Two Worlds, the Taipei National University of the Arts, and in Austria at the famed Esterhazy Castle for the Haydn Festival in Eisenstadt. Making his solo violin debut with the Calgary Philharmonic in 1994, William went on to receive a Bachelor of Music from Rice University’s Shepherd School of Music under the tutelage of Kathleen Winkler and continued his graduate studies with Miriam Fried at Indiana University with influential summers at Ravinia's Steans Music Institute and the MKI Artists | 115 College St. | Burlington, VT 05401 | 802-658-2592 | www.melkap.com Tanglewood Music Center. From 2000-2006, William was a member of the Borromeo String Quartet and on the faculty of the New England Conservatory of Music in Boston. Most recently, William has served as the first violinist of the Fry Street Quartet and was on the teaching faculty of the Caine College of the Arts at Utah State University. An active hiker and fly-fisherman, William and his wife, violinist Yi Ching Fedkenheuer, have two sons, Max and Olli, and two dogs, Archibald and Lulu. William performs on a bow by Charles Espey and a violin by Peter and Wendy Moes.
John Largess began his studies in Boston at age 12 in the public schools, studying with Michael Zaretsky of the Boston Symphony, and later as a student of Michael Tree at the Curtis Institute of Music in Philadelphia. In 1995, he graduated from Yale University to join the Colorado String Quartet as interim violist with whom he toured the United States and Canada teaching and concertizing. The following year he was appointed principal violist of the Charleston Symphony Orchestra in South Carolina, a position he held until joining the Miró Quartet in 1997. Also an active speaker and writer about all things chamber-musical, in 2004 Mr. Largess was invited to give a week-long audience lecture series as a part of the Eighth International String Quartet Competition at the Banff Centre for the Arts in Alberta, Canada; he repeated this series in 2007 and again in 2010. With his training in Greek and Latin Literature and his Bachelor’s degree in Archeology from Yale University, as well as studies at the Hebrew University in Israel, he has participated in excavations in Greece, Israel, and Jordan. John loves to cook gourmet cuisine,particularly French pastry and fine desserts; luckily, he also enjoys exercising. John is a trained yoga instructor, having studied Vinyasa Power Yoga with Baron Baptiste. He also practices Kundalini, Bikram, and Astanga styles, and teaches yoga at 24 Hour Fitness and the Bodhi Yoga studio in Austin, Texas where he lives. When not standing on his head, he enjoys making his Tibetan Singing Bowl sing. John serves as Senior Lecturer and Coordinator of String Chamber Music at the University of Texas at Austin Butler School of Music.
Joshua Gindele, a founding member of the Miró Quartet, began his cello studies at the age of 3 playing a viola his teacher had fitted with an endpin. As cellist for the Miró, Josh has taken first prizes at several national and international competitions including the Banff International String Quartet Competition and the Naumburg Chamber Music Competition. In 2005, the Miró Quartet became the first ensemble ever to be awarded the coveted Avery Fisher Career Grant. He has shared the stage with some of the classical worlds most renowned artists including Yo-Yo Ma, The New York Philharmonic, Pinchas Zuckerman, Joshua Bell, Midori, Andre Watts and Menahem Pressler. He continues to perform across four continents and on some of the world's most prestigious concert stages. In 2006 Joshua co-founded www.classicallounge.com. This is an online networking site where you can meet musicians, both professional and amateur, discover new talent or get discovered, share music, post and get concert information, share opinions, post classified ads and much more. The site was sold to www.classicalconnection.com in August of 2009. Deeply committed to music education, the Miró is currently the Faculty String Quartetin-Residence at the Sarah and Ernest Butler School of Music at the University of Texas at Austin. An active gym rat and tennis player, Josh and his wife, Rebecca Gindele, have a son and daughter, George and Nora.
Daniel Ching, Violin
William Fedkenheuer, Violin
John Largess, Viola
Joshua Gindele, Cello
with CHRIS REX, Cello (Boccherini)
Special thanks to our generous sponsors.
SPONSORED IN PART BY
THE STATE OF FLORIDA, DEPARTMENT OF STATE
DIVISION OF CULTURAL AFFAIRS
AND THE FLORIDA COUNCIL ON
ARTS AND CULTURE
CBC NATIONAL BANK
DICK AND ANNE CINQUINA
BILL AND ANNE HENSLEY
JUDY AND SCOTT McCUE
DR. REBECCA STAFFORD
On The MIRÓ QUARTET
“Throughout, the Miró Quartet played with explosive vigor and technical finesse.” – The New York Times
“…the performance had the audience spellbound.” – Washington Post
“…the Miró raised the work to a much higher level, with exceptional phrasing, remarkable ensemble and detailed attention.” – Pittsburgh Post-Gazette
“There is nuance, handsome phrasing and meticulous playing in every bar.” – San Francisco Chronicle
“The performance left the audience in stunned silence.” – The Cleveland Plain Dealer
“The Miró’s approach to these epoch-making masterpieces is consistently animated and imaginative, often keenly driven though nearly always dispatched with a light touch.” – Gramophone
ABOUT THE MIRÓ QUARTET
Now in their 19th year, the Miró Quartet is consistently praised for their deeply musical interpretations, exciting performances, and thoughtful programming. Each season, the Miró Quartet performs throughout the world on the most important chamber music series and on the most prestigious concert stages, garnering accolades from critics and audiences alike. Of a recent performance, the Cleveland Plain Dealer wrote: “Throughout the concert, the Miró gave lessons in the art of the string quartet, shaping each of the night’s scores with a blend of refinement and vibrancy that drew the listener deeply inside the sonic arguments.”
Concert highlights of recent seasons include a highly anticipated and sold out return to Carnegie Hall to perform Beethoven’s complete Opus 59 Quartets (which they also recorded); the world premiere of a new concerto for String Quartet and Orchestra by Pulitzer Prize winning composer Kevin Puts; and debuts at the Hong Kong International Chamber Music Festival and the Saratoga Performing Arts Center as part of the Chamber Music Society of Lincoln Center’s inaugural residency.
A favorite of summer chamber music festivals, the Miró Quartet has performed at the Orcas Island Chamber Music Festival, La Jolla Summerfest, Chamber Music Northwest, Santa Fe Chamber Music Festival and Music@Menlo. At these festivals and in their concert touring, the Miró Quartet regularly collaborates with pianist Jon Kimura Parker, percussionist Colin Currie, and mezzo-‐soprano Sasha Cooke (whom they recently collaborated with on the quartet’s Schubert Interrupted recording).
Formed in 1995, the Miró Quartet took first prizes at several national and international competitions including the Banff International String Quartet Competition and the Naumburg Chamber Music Competition. In 2005, the Miró Quartet became the first ensemble ever to be awarded the coveted Avery Fisher Career Grant. The Miró Quartet has served as the quartet-‐in-‐residence at the University of Texas at Austin Sarah and Ernest Butler School of Music since 2003. Deeply committed to music education, members of the Miró Quartet have given master classes at universities and conservatories throughout the world. Based in Austin, TX, the Miró Quartet took its name from the Spanish artist, Joan Miró, whose surrealist works — with subject matter drawn from the realm of memory and imaginative fantasy — are some of the most original of the 20th century.
Schubert String Quartet No. 5 in G Major, 1st Movement